Monthly Archives August 2010

Words, words, words…

One of the more discussed (at least in my hearing) choices made by Bill Rauch in the 2010 production of Hamlet has been the casting of deaf actor Howie Seago as the Ghost. Now, I’m suspecting that at some point this sort of thing will cease to be considered a Big Deal; rather like racial-blind casting, which has been the norm at the OSF for some time and now inspires remark mostly from newbies—folks who haven’t yet caught on that theatre is by nature a far more metaphorical and poetic medium than, say, the movies; that, as Henry V‘s Chorus
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